What I wanted was worship that was quiet, meditative and interactive. We decided that it would be low tech and so no issues about sound system - just some people gathering at vesper spot to worship God. What I wanted was to create an environment where people would hear or see God. So we had times of silence and looking and listening in creation, singing, praying, hearing and "digesting" the word of God and the ritual of communion. It is what I want when I worship - a sense of spirit and sponteneity and also structure.
While I was there Wendy asked me to be the chaplain for this week and, of course, I said yes. Soon I will be driving up there to attend a counselors meeting. And later in the week I will meet with Wendy, the camp director, and Ted (camp superintendant) for conversation and prayer. As always, I don't know what I am doing, but I trust that my little bit of effort will be graced by God's spirit and that more will happen than I know.
I spent some time this morning looking for a reading to take up to the group and found one called "A Step Along the Way" written by Bishop Ken Untener for Oscar Romero's funeral. That is not what I am going to share here though.
As I looked through my file of prayers and poems I found this one. I don't know the circumstances, through which I found it - but it spoke to me this morning and here it is.
To be of use
By Marge Piercy
The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes
almost out of sight.
They seem to become natives of that
element,
the black sleek heads of seals
bouncing like half-submerged balls.
I love people who harness
themselves, an ox to a heavy cart,
who pull like water buffalo, with
massive patience,
who strain in the mud and the muck
to move things forward,
who do what has to be done, again
and again.
I want to be with people who
submerge
in the task, who go into the fields
to harvest
and work in a row and pass the bags
along,
who are not parlor generals and
field deserters
but move in a common rhythm
when the food must come in or the
fire be put out.
The work of the world is common as
mud.
Botched, it smears the hands,
crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean
and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put
in museums
but you know they were made to be
used.
The pitcher cries for water to carry
and a person for work that is real.
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